Thanks to Jamie S. Rich for asking me to do this. Been a Mike Allred fan since college (where I once saw him at Kinko's Xeroxing early "Madman" promos), so getting a chance to play around in this universe was a pretty big deal for me personally.
I'm tabling at the Stumptown Comics Fest (Table F6) Saturday and Sunday, April 27-28, at the Portland Convention Center. Come on by. I'll draw you a free sketch, and I'll be selling all this stuff:
PRINTS! I'm debuting two new limited-run 12x12" prints at the Fest: "Super Cosplay Dance Party" and "Pete & Brucilla"(pictured above; click to enlarge). Lines by me. Colors by Bill Mudron. All-ages. Comes in a custom envelope printed with B&W lineart and art credits. Only 10 bucks each.
Oh, and "Super Cosplay Dance Party" (pictured below) is double-sided -- with a different color scheme by Bill on each side.
These are far and away the nicest pieces of paper I've ever put my name on, in terms of production value. Offset-printed in CMYK on nice toothy 100# classic laid paper by Lowell's Print Inn. Only ordered 200 of each. (I should also have a few uncut printer's proofs.) Here's a closeup of the paper. Here's video of the job on the presses.
FREE STUFF! Barring disaster, I'll have giveaways of my "Opera, Drawn Quickly" comics (courtesy the Portland Opera) and Vol. 1 of "Jaxxon's 11," my super-specific spoof (with David Stroup) of 1970s Marvel "Star Wars" comics. I'm also moderating this Saturday Q&A session with my pal Dylan:
"A Conversation with Dylan Meconis" Room B117, Saturday, April 27, 11-11:45 a.m. Dylan Meconis first popped up on the webcomics scene with her French-revolution vampire comedy "Bite Me!" and cemented her reputation with dark historical drama "Family Man." Along the way she's also redrawn the "Danse Macabre" for a new generation and spun her own fable of corruption with the Eisner-nominated "Outfoxed." Mike Russell of CulturePulp.com will interview Meconis about her style and genre-hopping comics, world-building vs. storytelling, coming of age as an artist online, and her influences outside of comics.
Oh, and I think I might be in this year's Comic Art Battle at the Saturday-night After Party, but I'm not sure yet. Check this space for updates.
So yeah, Cort Webber and Bobby "Fatboy" Roberts have decided to end their five-day-a-week podcast, on which I've appeared most Fridays for the last six-and-a-half years.
I've definitely had some of the Emotions about the announcement. The show changed my life in lots of big and small ways. I'm really going to miss the Midnight Movies, and the show introduced me to pockets of Portland I never would have encountered otherwise.
But I also understand the boys' logic: Better to go out like "Bloom County" than "Peanuts."
Anyway. We're closing out the show on Friday, Dec. 7 with a big fat live performance at the Bagdad featuring all the regular guests. And I'm holding a going-out-of-business sale.
As a thank-you to listeners, "Cort and Fatboy in: The Secret of the Buried Unicorns" -- the world's first and maybe only podcast tie-in storybook -- is now just THREE LOUSY BUCKS at my online store. Made my money back on these a while ago, and there are fewer than 100 left, so if you ever wanted one, now's the time.